If you’ve been following the wireless mic space, you know there is quite a bit to choose from. Into this market, Saramonic has now launched the Ultra, a 2-channel wireless microphone system ($299), which, according to the feature list, wants to go toe-to-toe with heavy hitters in the industry. With Timecode synchronization, 32-bit float onboard recording, and a mind-boggling 130 dB SPL, this new system deserves a place in your shortlist along with Rode Wireless Pro, Hollyland Lark Max, or DJI Mic 2.
Saramonic is signaling that the Ultra belongs in the “pro” group by including a timecode feature. If you are unfamiliar, timecode is a mechanism that syncs audio to video in multi-camera productions. The onboard Timecode Synchronization ensures perfect frame accuracy across multiple devices.
Another feature putting the Saramonic Ultra in the big-boys playground is 32-bit float recording, paired with 8 GB of onboard storage. Why does this matter? Imagine capturing audio in a setting where volumes spike unpredictably. With 32-bit float, you’ll get distortion-free recordings, even in chaotic audio environments. So whether you’re recording a loud concert or a quiet interview, you won’t need to worry about blown-out audio levels or lost detail.
This feature positions the Saramonic Ultra as a strong alternative to systems like the Hollyland Lark Max and DJI Mic 2. These are all two-person compact systems with a similar form factor aiming for the same audience.
The ClearVoice™ Technology in the Ultra features noise-cancellation tech that is supposed to intelligently hone in on vocals. It also features Vocal Boost and Low-Cut modes to help dial down unwanted noise. If you’re the kind of creator who doesn’t want to constantly monitor and adjust settings, the Automatic Gain Control (AGC) should do the job for you. During my time inspecting microphones, I have seen great AGC units and AGC units that will make you cringe, so this will be one of the features we will test in our upcoming review.
If you record in unpredictable environments, Saramonic’s IPX5 waterproof rating will give you peace of mind. Plus, the external antenna extends the wireless reach to 300 meters, so you’ll have stable performance even if you’re out in the elements. Most units that I have tested boast a range of 100-150 meters, so this is new! Along with the high dynamic range and 32-bit float recording, the ultra looks poised for fieldwork where your environment doesn’t give you the courtesy of a controlled setting.
The Ultra features a 1.1-inch AMOLED touchscreen that lets you monitor audio levels, battery life, and signal strength at a glance. It also features both a Lightning and a USB-C connector for smartphones and a 3.5mm jack for your camera or audio gear. For frequent users, this simplified and intuitive design will speed up setup times and keep you focused on capturing content, not fussing with gear.
If you are on the go, everything packs down into a small charging case that also charges the batteries.
